Sync Forward Podcast 086 – Paul Rodner

sync forward podcast paul rodner

This week we welcome back our fellow countryman and friend of the label Paul Rodner that brings us a one hour mix filled with groove and energetic beats!

How did it all start?
It all started when I was 11 years old and first heard about electronic music through my older brother. It was love at first hearing. After that, me and my friends had garage parties until I finally had my first gig at Vaticano Club in Barcelos, one of the most emblematic clubs in Portugal.

What’s your gear in the studio?
In my studio I have the essential, my Macbook, Genelec monitors, Sennheiser Headphones, Akai midi and a Focusrite sound card. I also use a lot of Vsts like Massive, Arturia, Sylenth, among many others.

What’s behind your creative process?
I try to be loyal to my identity and always like to start with a rhythmic loop that will give flow to my track. That does not always mean I will produce the same genre, but I do try to stay within my musical line.

What’s your hometown music scene like?
I’m from the beautiful and historical Portuguese city of Barcelos. Unfortunetaly there is not much to choose, with the only clubs available being the Vaticano Club and Club 118. The last one is very successful nationwide. I already played there and the atmosphere is incredible!

Which labels are you currently working with?
At the moment, I’m not working for any label. I paused a bit to acquire knowledge, but I`ve worked for labels like Deeperfect Records by Stefano Noferini, Incorrect Music by Anthony Attalla, Bitten by 2000 and One and Sandy Huner, the last Ep reached the top 100 Tech House in Beatport with the tracks “Black magic” and “I Believe in My Dream”.

What are your future plans?
I don`t like to make plans for the future. I like to live day by day, but of course I dream of being a great reference worldwide. For this I have to show work and here I am for this, to fight for my dreams.

Sync Forward Podcast 083 – Pek

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Episode 83 of the podcasts is up plus an interview with our forthcoming artist Pek where we talk about how he began to make music, his creative process and what the future holds for him.

How did it all start?
I started DJing around the age of 17 and was over the years influenced by several artists of different musical styles, not only of Electronic Music but also in Rock, Pop, Jazz, Blues and Hip-Hop. My love for music began as a small kid listening to my mother’s old vinyl albums, but it was really from 2012 that I became interested in trying to understand how the creative process of musical creation is done and I took classes in Musical Production with one of my biggest inspirations and mentor Alex FX.
That’s when my project Pek starts (an old nickname that I think adapts to the style). The purpose of this project is to show my musical influences at the precise moment of the creation of any of my works. I do not like attaching myself to styles or to a specific line of creation. Above all I value the freedom of artistic creation and a constant modification of sonority in what I do.

What’s your gear in the studio?
At the moment I’m in the process of rebuilding my studio (which is almost constant) but I’m currently working with Ableton Live 9 which I use with Push, and Logic Pro X. I have a RME Fireface UFX + a Moog Sub 37 and a Korg Minilogue as well. I also really like Komplete 11, specially Reaktor, Monark and Guitar Rig for delays and Lexicon Reverbs. I seriously recommend the Waves bundle, a constant feature in my studio. And I couldn’t leave the Arturia Beatstep Pro out as well.

What’s behind your creative process?
Before starting any track, I always tend to listen to a lot of music. I pick up old albums and try to draw inspiration for melodies. So I would say my music is constantly changing because my inspirations are always from different places, and melodic techno is what is fascinating me the most at the moment.

What’s your hometown music scene like?
I can consider myself lucky to have been born in a country with a remarkable electronic music culture: Portugal. And since I am from the magnificent city of Porto, I am even luckier because of the variety of musical choices within this city. With the investment in the area of tourism, several places were created where it is possible to listen to different types of music (not just electronic), and some of these are on the list of the best European clubs. Sometimes we still have a slightly closed mindset for new musical strands that are emerging. But I think that this is gradually changing with the appearance of new artists that are marking the national music scene.

Which labels are you currently working with?
Right now, I’m mostly working for my label KUK where I recently released a full artist album and 2 remix albums with really talented artists, and now I’m preparing a new album. But I was really fortunate to get invited to do an EP – Colossus – for the amazing Portuguese label Sync Forward. I’m really looking forward to it because I really think it’s one of my best works and really shows the change in sound I’m going through right now.

What are your future plans?
My main goals for the future are to grow my label, expand myself as an artist and prepare my live act which I’m currently working on. And of course, get even more gear!

Sync Forward Podcast 081 – Joff

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One hour mix from our mate Joff showcasing his work on the Sync Forward Podcasts. Powerful bass, rhythmic sound waves, elements chosen in a balanced way, like an engine that comes running from deep to tech. Joff is always looking for details and absorbs them, whether they come from the noise of the streets or the noise of a boat in the harbor. For him, the greatest pleasure is the sound that comes from the soul and gives life to the bodies of those who are listening. Melodic synths, strong kicks, vocals here and there, percussions, a range of choices for every occasion, it’s all part of the plan.